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Acne Studios
Summer 2022
Talia Chetrit

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Tags: Film Processing, Scanning, Talia Chetrit

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Vogue
The Actor Who Would Be King: Austin Butler’s Journey to Elvis
Tina Barney
April 2022

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Tags: Film Processing, Scanning, Tina Barney

New York Magazine
Huma Abedin Is Ready To Tell You Who She is
Andreas Laszio Konrath
Nov 2021

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Tags: Conventional C-Printing, Film Processing, Scanning

Expressions of Life
Ruth Orkin
Fotografiska NY
Sept 2 – Dec 5

From the Fotografiska website:

Expressions of Life is an emotional, inspiring, and romantic chronicle of the pioneering photographer and filmmaker Ruth Orkin. Featuring landmark photographs from her work across Hollywood, New York City, Israel and Italy, the exhibition celebrates the Orkin’s centennial, and showcases her as a master of intimacy, warmth, and boldness behind the camera.

From photographs of her monumental cross country bicycle trip at age 17 and behind-the-scenes of MGM Studios as the first “messenger girl” in 1941, to European adventures and spontaneous, cinematic New York City moments – Expressions of Life spotlights some of her most renowned photographs: American Girl in Italy (1951), Bernstein in Green Room, Carnegie Hall, NYC, (1950), and Einstein at Princeton luncheon, NJ (1953), among others.

Ruth Orkin: An American Girl in Italy, 1951

We’ve been working directly with Mary Engel, the director of the Ruth Orkin Photo Archive (and Ruth’s daughter!) for the past year. LTI-Lightside contributed a number of silver gelatin prints printed directly from Ruth’s original negatives as well as hi-resolution scans for wall installations in the exhibition space.

Ruth Orkin: Expressions of Life opening reception at Fotografiska NY, Sept 2021

For more on Expressions of Life at Fotografiska NY click here

For more on Ruth Orkin and Mary Engel’s photo archive click here.

Lastly: for information on Mary Engel’s American Photography Archive Group click here

Ruth Orkin: Couple in MG, Florence, 1951

Tags: B+W Silver Gelatin Printing, Exhibitions, Fotografiska New York, Ruth Orkin, Scanning

Jil Sander+ Birkenstock
Eckhaus Latta AW20
Proenza Schouler SS21
Talia Chetrit

Talia Cherit: Jil Sander+ Birkinstock

Talia Chetrit: Eckhaus Latta AW20

Talia Chetrit: Proenza Schouler Spring 21

Tags: Advertising, Film Processing, Retouching, Scanning, Talia Chetrit

DICKERING
Talia Chetrit
Hannah Hoffman Gallery
June 19 – Aug 14

Talia Chetrit: Pearls and Baby from DICKERING at Hannah Hoffman Gallery
41″ x 27″ archival pigment print

From the Hannah Hoffman press release:

Talia Chetrit’s latest images bring the camera home. Created over the last two years, the works in DICKERING unfold in the spaces where we loosen up and allow the coherent personas we craft for the outside world to melt away. Chetrit trains our attention on the intimate sites where personal boundaries dissolve, roles are negotiated, and power fluctuates moment-to-moment. 

In Chetrit’s portraits of domestic life the cast of characters includes herself, her boyfriend, their child, cat, and a selection of props that intermingle with the quotidian routines of child rearing and the home. In Untitled, (Family #1), 2021, her boyfriend, dressed in women’s designer clothes, feeds their child without breaking his piercing gaze. And in Untitled (Family #2), 2021, wearing nothing but a blousy vest, he smiles cheerily at the camera while their child pokes at an uncovered electrical outlet. Despite the pretense of self-exposure in these and so many of Chetrit’s images, few of her works disclose much about the actual structure of her life, the nature of her habits, or her internal sense of self. Even in her self-portrait, in which Chetrit poses pregnant and draped only in a white button down shirt, the vulnerability of the image is undermined and refracted by her distorted face, covered with smeared makeup and a nylon stocking. 

The power of Chetrit’s latest images hinges on an odd ambivalence between their banal settings and the presentations adopted by the adults within them. The characters’ gender contrivances and charms shift circumstance to circumstance and image to image, adding intrigue to the trappings of a middle-class life that serve as background. The posed postures and direct stares assumed by Chetrit and her boyfriend are less clues to their inner natures and more regular reminders of the camera’s presence, as well as the person behind it. These images revel in the fact that they are constructions, and as such they beg the question: who’s calling the shots in this drama? We imagine conversations about clothing, props, choreography, lighting, and setting, and the dialogue about what is presentable when first looking at the film. These works present a new set of negotiations between photographer, camera, and subject. 

Talia Chetrit: Pregnant (Corey Tippin Make-up #1) from DICKERING at Hannah Hoffman Gallery.
40″ x 60″ archival pigment print

Talia Chetrit Untitled (Family #2) from DICKERING at Hannah Hoffman Gallery. 
40″ x 60″ archival pigment print

Talia Chetrit: DICKERING at Hannah Hoffman Gallery. June 19 – Aug 14

This is the first exhibition of Chetrit’s work we’ve helped produce for the Hannah Hoffman Gallery. We’ve been working with Talia since 2009.

For more on our projects with her click here

For more from Hannah Hoffman click here.

Tags: Archival Pigment Printing (Inkjet), Exhibitions, Film Processing, Imaging, Scanning, Talia Chetrit

Harper’s Bazaar
How the Studio Museum of Harlem Transformed the Art World Forever
John Edmonds
Feb 2021

John Edmonds: How the Studio Museum of Harlem Transformed the Art World Forever Harper’s Bazaar, Feb 2021

John Edmonds: From How the Studio Museum of Harlem Transformed the Art World Forever Harper’s Bazaar, Feb 2021
L: E. Jane
R: Zaviera Simmons

John Edmonds: Steffani Jemison from How the Studio Museum of Harlem Transformed the Art World Forever Harper’s Bazaar, Feb 2021

All images shot on 8 x 10 C41 film processed, contacted and hi-res scanned at LTI-Lightside. This is our first project with John Edmonds.

Tags: 8 x 10, C-41 Film, Editorial, Film Processing, Scanning

Time Magazine
The 100 Most Influential People
Stefan Ruiz
October 5 – 12, 2020

Stefan Ruiz: Anthony Fauci, Time Magazine, October 2020

Tags: Film Processing, Scanning

Corey, Donna, Jane, Daphne, Giuliana, Ever, Jochem, Eric, Chris, unknown, and myself
Talia Chetrit
Sies + Höke
Nov 16 2019 — Jan 11 2020

Talia Chetrit: Corey, Donna, Jane, Daphne, Giuliana, Ever, Jochem, Eric, Chris, unknown, and myself
Sies + Höke, 2019/20 Install views courtesy Sies + Höke Galerie

From the Sies + Höke press release:

Corey, Donna, Jane, Daphne, Giuliana, Ever, Jochem, Eric, Chris, unknown, and myself is an exhibition of portraits taken from 1995-2019 by Talia Chetrit. Spanning several decades these eight photographs move us across an uncanny breadth of staged and unstaged portraits— a test photo from a fashion shoot, a portrait of a body-cast from an ancient archeological site dated 79AD, self-portraits in the artist’s home, legendary muses backstage. The edit of these photos for the participatory space of the gallery functions as an analog to the contemporary conditions of image-making and image-viewing, a grouping for which a single time-stamp can open our curiosity, and also lay flat against a network of unrelated meanings, both within the exhibition itself and within photography itself.

Talia Chetrit: from Corey, Donna, Jane, Daphne, Giuliana, Ever, Jochem, Eric, Chris, unknown, and myself, Sies + Höke, 2019/2010
L: Self Portrait (Mesh Layer) 2019: 32 x 48 archival pigment print / dibond mounting
R: Ever, Cory Tippin Make Up, 2018: 10 x 14 archival pigment print / dibond mounting

This is the forth exhibition of Chetrit’s work we’ve helped produce for Sies + Höke. We’ve been working with Talia since 2009.

For more on our projects with Talia click here
For more on Talia with Sies + Höke click here

Tags: Archival Pigment Printing (Inkjet), Exhibition Mounting, Exhibitions, Film Processing, Imaging, Scanning, Sies + Höke Galerie, Talia Chetrit

Re-Edition AW19
Re-Edition SS19
Covers and stories
Spring/Summer, Autumn/Winter 2019

Talia Chetrit: Re-Edition Magazine, Spring/Summer, Autumn/Winter 2019

Tags: Editorial, Film Processing, Retouching, Scanning, Talia Chetrit