Elad Lassery
303 Gallery
March 1 – April 6

From the 303 Gallery Press release:

303 Gallery is pleased to announce our second exhibition of new work by Elad Lassry.

… For this exhibition, Lassry shows photographs and sculptures that alternate between flat experience and dimensionality. Outtakes from an imaginary fashion shoot are pieces of information suggesting systems much larger than themselves collide with categorical images of sea life …

Elad Lassery: 303 Gallery, 2019
L: Untitled Assignment (96-10) 2018
R: Untitled Assignment (96-6) 2018
Archival Pigment Print
20 3/8 x 16 5/16

Elad Lassery: 303 Gallery, 2019
L: Untitled (Facility B) 2018
R: Untitled (Shark Egg) 2018
Archival Pigment Print
20 3/8 x 16 5/16

Elad Lassry was born in Tel Aviv, Israel and he lives and works in Los Angeles. He has exhibited internationally including solo shows at Le Plateau, Paris (2018); Vancouver Art Gallery, Canada, curated by Jeff Wall (2017); Museum Boijmans Van Beuningen, Rotterdam (2014); Kunstnernes Hus, Oslo (2012); and Kunsthalle Zurich, Switzerland (2010). Group exhibitions include Walker Art Center, Minneapolis (2016); Solomon R. Guggenheim Museum, New York (2015); The Museum of Modern Art, New York (2014); Turner Contemporary, Margate, UK (2013); The Jewish Museum, Vienna (2012); 54th Venice Biennale (2011); The Photographers Gallery, London (2011); Aspen Art Museum, Colorado (2011); Sculpture Center, New York (2010); and New Museum, New York (2009).

 
Elad Lassery: install view, 303 Gallery, 2019

LTI_Lightside processed film, hi-res scanned and digitally imaged the archival pigment prints for the Untitled Assignment and “categorical images of sea life” in this exhibition.

Tags: Archival Pigment Printing (Inkjet), digital imaging, Elad Lassery, Exhibitions, Film Processing, Retouching, Scanning

New, Used, Rare and Out of Print
Richard Finkelstein
Robert Mann Gallery
September 13 – October 20

From the Robert Mann Gallery Press Release:

Robert Mann Gallery presents a new body of work by Richard Finkelstein in his third solo show with the gallery, New, Used, Rare and Out of Print. Known for his cinematic world of miniature dioramas, Finkelstein explores a new direction in his work that focuses on the manipulation and transformation of books. He investigates the materiality of the books as he documents their reactions against water, paint, folding and cutting … cont.

 
Richard Finkelstein: from New, Used, Rare and Out of Print, 2018
L: Come Wander with Me
R: A Fine Balance
Archival pigment prints, sintra mount

… the photographs in this series were both intended and unintended. While working with the texts related to the myth by Ovid, Joyce and others, Finkelstein initially immersed them in coffee to age them and have them appear as ancient texts. But as the first books dried, the pages curled and molded themselves into new forms, assumed other shapes and then hardened, causing Come Wander With Me to emerged. The books transformed into a sculptural medium. They had lost their specific identity as the words became distorted or even hidden therefore erasing the past message of the books. The stories and titles which caused the artist to select them were no longer identifiable.

Richard Finkelstein: Sir Robert Morton’s Wig, 2018, Archival pigment print, sintra mount.
From New, Used, Rare and Out of Print, Robert Mann Gallery

Richard Finkelstein: Interpretation of Dreams, 2018, Archival pigment print, sintra mount.
From New, Used, Rare and Out of Print, Robert Mann Gallery

This is our third exhibition with Rick for the Robert Mann Gallery — you can see our posts from those first two shows by clicking here.

Tags: Archival Pigment Printing (Inkjet), digital imaging, Exhibition Mounting, Exhibitions, Richard Finkelstein

Dialogue with the Ancient
Lawrence Beck
Palazzo Ducale di Sassuolo
June 1 – September 2

Lawrence Beck: Palazzo Ducale di Sassuolo, 2018
59 x 72 archival pigment print

The exhibition, curated by Martina Bagnoli, presents 8 large photographs dedicated to Italian gardens, which, dialogue with the masterpieces of ancient art preserved in the palace.

Lawrence Beck: Palazzo Ducale di Sassuolo install views, 2018
59 x 72 archival pigment prints

LTI-Lightside has been producing exhibition prints for Lawrenc beck since 2009. For more images from this exhibition and of Beck’s work in general, please visit his website by clicking here.

Tags: 8 x 10, Archival Pigment Printing (Inkjet), digital imaging, Exhibitions, Film Processing, Lawrence Beck, Scanning

Tags: Archival Pigment Printing (Inkjet), Colnaghi, digital imaging, Exhibitions, Paulette Tavormina