New York Magazine
Chris Smalls: The Organizer
Andreas Laszlo Konrath
July 18 – 31, 2022

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Tags: Andreas Laszlo Konrath, Conventional C-Printing, Film Processing, Magazine Covers, New York Magazine

New York Magazine
Huma Abedin Is Ready To Tell You Who She is
Andreas Laszio Konrath
Nov 2021

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Tags: Conventional C-Printing, Film Processing, Scanning

Barneys F/W ’18
Chris Rhodes, Photographer

Barneys F/W 18
Chris Rhodes: photographer

Tags: Chris Rhodes, Conventional C-Printing, Film Processing, Scanning

Landscapes
Tina Barney
Paul Kasmin Gallery
January 17 – March 3

Tina Barney: The River, 2017 from Landscapes, Paul Kasmin Gallery, 2018

Tina Barney: Landscapes, Paul Kasmin Gallery, January 2018

From the Paul Kasmin press release:

Alongside her oeuvre of portraits portraying the daily life of the social elite that Barney is most known for, exists an entire series of landscape photographs taken by Barney using her 8 by 10-inch view camera.  Barney first began her experimentation with landscape photography in the late 1980s and would not revisit the subject again until the summer of 2017.  Returning to her familiar New England backdrop, Barney champions distant views of shingled houses, rocky coastlines, small town thoroughfares and main street squares, challenging herself out-of-doors to refine and build upon her mastery of compositional tactics.  With these landscapes, Barney takes new ownership over the large format medium of color photography, employing the same sophisticated devices but with an expanded field of vision.

Tina Barney: Landscapes opening reception, Paul Kasmin Gallery, January 2018

We’ve been working with Tina Barney since 2010, most recently completing the scanning and file work on over 140 images for her Rizzoli monograph: Tina Barney. See images of the book in our project archive post below and additional exhibition posts here and here. Landscapes is up through March 3rd, see more on the Paul Kasmin website here.

Tags: Conventional C-Printing, Exhibition Mounting, Exhibitions, Paul Kasmin Gallery, Tina Barney

Tina Barney
Rizzoli International Publications
2017

Hardcover, 236 pages, 142 image plates

Tags: Archival Pigment Printing (Inkjet), Conventional C-Printing, Film Processing, Imaging, Scanning, Tina Barney

Comme des Garçons: the Future of Silhouette
Joh Olins
Modern Weekly
F/W 2017

LTI/Lightside provided film processing and conventional c-printing for this story.

Josh Olins for Modern Weekly, Comme des Garçons: the Future of Silhouette, F/W 2017

Josh Olins for Modern Weekly, Comme des Garçons: the Future of Silhouette, F/W 2017

Tags: Conventional C-Printing, Film Processing, Josh Olins, Modern Weekly

2016 Men’s Photo Project
Andreas Laszlo Konrath
Rag & Bone
Summer 2016

ALK was back at it this summer — working hard to make characters the likes of Wiz Khalifa, Harvey Keitel, John Turturro and others look cool and casual while wearing Rag & Bone.

 
Andreas Laszlo Konrath: Wiz Khalifa for Rag & Bone, 2016

Andreas Laszlo Konrath: Harvey Keitel for Rag & Bone, 2016

Andreas Laszlo Konrath: John Turturro for Rag & Bone, 2016

Tags: Andreas Laszlo Konrath, B+W Silver Gelatin Printing, Conventional C-Printing, Film Processing, Scanning

Where the Swedes Go to Be (Really) Alone
Domingo Millela
T Magazine / The New York Times
May 2016

Domingo Millela: T Magazine, 2016

Domingo Millela: T Magazine, 2016

Tags: 8 x 10, Conventional C-Printing, Film Processing

Various Assignments
Andreas Laszlo Konrath
Fall 2105 / Spring 2016

Andres Laszlo Konrath (ALK) is a busy character. He’s been coming around LTI/Lightside since the fall of 2015 and has run a good bit of editorial shooting through the lab in that short time.

It’s one thing for us to report here on what he’s up to, like his published assignments for The New Yorker, W, Fast Company, Playboy, Marie Claire and more. Yet it would be quite another altogether to tell you how he does it  — meaning, the unique look of say, his portrait of star chef, Marcus Samuelsson below … we think it’s fair to say he’d have to kill us if we did.

That said, it’s refreshing to note that in an age of #anytingispossible digital manipulation. ALK turns the tables back to old school skill and and achieves his signature results not with the hand of PhotoShop at all … and that’s as far as we’re going to go here.

Here’s a small sample of some recently published assignments:

Andreas Laszlo Konrath: Grace Coddington for Le Magazine du Monde, 2016

Andreas Laszlo Konrath:
(L) Don Cheadle for Playboy, 2016 (R) Marcus Samuelsson for Fast Company, 2015

Andreas Laszlo Konrath: Harmony Korine for W, 2015

Tags: Andreas Laszlo Konrath, B+W Silver Gelatin Printing, Conventional C-Printing, Editorial, Film Processing

Censored
Milagros de la Torre
Museu Oscar Niemeyer, Curitiba, Brazil
August 31 – December 31, 2013

Milagros de la Torre: Censored, 2013
Museu Oscar Niemeyer

The following text courtesy of Milagros de la Torre:

“Censored” was researched in the University of Salamanca’s library in Spain. Concentrating its attention on books (dating from XV – XVII C.) which were obliterated and repressed by the Spanish Inquisition.Images of subtle colors and a level of subdued aggression, the elegant beige of the cotton hand made paper contrasts with the intense black of the censored passages. From a distance they could be mistaken for expressionist paintings, but a closer examination reveals almost indecipherable texts effaced by various techniques. Thus creating a new formal appearance, which seems  silenced and restrained but reveals itself as a coded message to be deciphered.Tension arises when the viewer perceives, behind this apparent beauty, the violence implicit in these images, which stand as witnesses to the suppression of ideas by the powers of authority.

Milagros de la Torre: Censored 2000
40 x 48 matt chromogenic color print mounted on aluminum

Milagros de la Torre: Censored 2000
40 x 48 matt chromogenic color print mounted on aluminum

 
Milagros de la Torre: Censored LTI-Lightside production still

These prints were optically enlarged at LTI-Lightside from de la Torre’s original 4 x 5 negatives. This is our first exhibition with Milagros.

More on Milagros de la Torre:

Milagros de la Torre has been working with photography since 1991 and has been exhibited extensively and is part of permanent museum collections including The Art Institute of Chicago, Illinois;  Museum of Fine Arts, Houston, Texas; El Museo del Barrio, New York; Harvard Art Museum, Cambridge, Massachusetts; Yale University, New York; Diane and Bruce Halle Collection, Phoenix; Worcester Art Museum, Massachusetts; Fonds National d’Art Contemporain, Paris, France; Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; Essex Collection of Art from Latin America, Colchester, U.K.; Museo de Arte Carrillo Gil, Mexico; Museo de Arte de Lima, Peru; Museo Nacional de Bellas Artes, Buenos Aires, Argentina among others.

Two important monographs have been recently published, one designed by Toluca Editions, edited by RM Editorial, Mexico/Barcelona, with a text by Marta Gili, Director of the Jeu de Paume Museum in Paris. The other one, co-published by the Americas Society, New York and the Museo de Arte de Lima, MALI with texts by Dr. Edward J. Sullivan and Miguel Lopez along with an interview between the artist and Anne Wilkes Tucker, The Gus and Lyndell Wortham Curator of Photography at the Museum of Fine Arts, Houston.

In 2003, her artist book Trouble de la Vue (Paris: Toluca Editions) was published with text by Jose Manuel Prieto and design by Pierre Charpin.  She received the Guggenheim Fellowship in Creative Arts, Photography in 2011.

Born in Lima, Peru, De la Torre now lives and works in New York.

Tags: Conventional C-Printing, Milagros de la Torre, Museu Oscar Niemeyer