Talia Chetrit
Kaufmann Repetto
September 15 – October 31

Talia Chetrit
L: dress, inkjet print, 26 x 18″, 2016
R: legs, silver gelatin print, 24″ x 16″, 2016

 

From the Kaufmann Repetto press release:

 

In her latest photographs Talia Chetrit has structured a series of performative scenarios in which the artist uses her body, and that of her partner, to destabilize the conventions of self-portraiture and its mechanisms of control. The shutter release—along with mirrors in her studio, deconstructed clothing and multiple cameras—are tools with which Chetrit sets up deliberate triangulations that present us with critical openings. It is through these openings that we see the artist repeatedly demonstrating her submission to her own process as an act of authorial agency.

 

 

Kaufmann Repetto: Talia Chetrit installation view
September 15 – October 31, 2016

This is the third exhibition we’ve helped produce for Talia Chetrit with Kaufmann Repetto. We’ve been working with Talia since 2009.

Tags: Archival Pigment Printing (Inkjet), Exhibitions, Film Processing, Kaufman Repetto, Scanning, Talia Chetrit

Model
Talia Chetrit
Kaufman Repetto / Milan
November 20 – January 10

Talia Chetrit: Parents in the Sun #1,  2014
From Model, Kaufman Repetto, Milan
20 x 25 digital-c print, acrylic mount

From the Kaufman Repetto press release:

In Model, Talia Chetrit reflects on the complex relationship between reality and representation, investigating themes of authenticity in the photographic medium through the exchange between subject and photographer. Alongside the new series of photographs, a video captures Talia Chetrit’s parents – present in earlier photographic works – as unwitting subjects of a collection of video clips. Parents candidly records the self-conscious posturing of the artist’s mother and father, contrasting the act of staging an image with the relationships created in the act of photographic portrayal.

While Talia Chetrit photographs, a digital camera films the artist’s unsuspecting parents, capturing interstitial situations – bits of conversations and gestures – whose intimacy is made public. The video exposes what happens behind the curtains of the photographic sessions, moments which lead to an image but are normally left out of the final photograph, revealing the view of the artist as curious, voyeuristic and directorial. Explicitly rendered is a vulnerable and private exchange between three members of a family, as well as a photographer and her models.

Talia Chetrit: Parents, 2014
Installation view, Kaufman Repetto, Milan

This process exposes artifice – the posing of subjects for a desired effect – while simultaneously revealing the net of relationships that exist between husband and wife, parents and daughter. Accordingly, the family unit alternates between complicity and disobedience to the power dynamic that exists between the photographer and the portrayed subject. The ostensible sincerity of the candid camera gives a window to the illusory character of photography.

The accompanying series of photographs show Talia Chetrit’s parents gazing into each other’s eyes, then at their phones or a compact mirror, then back at the camera lens. Employing a number of photographic styles, the components of which allude to authenticity or staging, Chetrit debases the tropes of portraiture. Encountered after viewing Parents in the adjacent gallery, a seemingly candid image taken from a second floor balcony feels intently posed. The use of three different camera formats further highlight the ways in which the fabrication of an image influences its reception.

The interrelation of the video and photographic works in Model places emphasis on the unseen structures inherent to photography, investigating the role of photographer and subject as both attempt to fashion an image that reads as sincere. What becomes visible through Talia Chetrit’s laying bare of her working process is that from behind the camera lens sincerity can also be constructed.

Talia Chetrit: Parents / Trees, 2014
From Model, Kaufman Repetto, Milan
20 x 24 conventionally enlarged silver gelatin print, museum board mount

Aside from the video piece, this exhibition includes (5) digital-c prints and (5) conventionally enlarged silver gelatin prints. You can see installation views and more from Kaufman Repetto here.

This is LTI/Lightside’s third solo exhibition  with Talia Chetrit — see more here.

Tags: B+W Silver Gelatin Printing, Digital-C Printing, Exhibitions, Kaufman Repetto, Mounting, Talia Chetrit