LTI NY

June 1, 2018

Lawrence Beck at Palazzo Ducale di Sassuolo

Dialogue with the Ancient
Lawrence Beck
Palazzo Ducale di Sassuolo
June 1 – September 2

 

391871-62_750
Lawrence Beck: Palazzo Ducale di Sassuolo, 2018
59 x 72 archival pigment print

 

The exhibition, curated by Martina Bagnoli, presents 8 large photographs dedicated to Italian gardens, which, dialogue with the masterpieces of ancient art preserved in the palace.

 

install pair
Lawrence Beck: Palazzo Ducale di Sassuolo install views, 2018
59 x 72 archival pigment prints

 

LTI-Lightside has been producing exhibition prints for Lawrenc beck since 2009. For more images from this exhibition and of Beck’s work in general, please visit his website by clicking here.

 

 

Tags: , , , , , ,

April 29, 2018

Eva O’Leary for New York Magazine

The Cut
Eva O’Leary
New York Magazine
April, 2018

 

eva_o_lead
Eva O’Leary: for New York Magazine, April 2018

 

 

Here’s what happens when one of your super-cool customers shoots some of your other super-cool customers for New York Magazine (https://www.thecut.com/2018/04/the-mirror-face-of-17-new-york-women.html)

 

cb_nymag
Eva O’Leary: for New York Magazine, April 2018

 

 
elenor_ny mag
Eva O’Leary: for New York Magazine, April 2018

 

 

Tags: , , , , , ,

April 17, 2018

Philip-Lorca DiCorcia for Vogue

Heavenly Bodies
Philip-Lorca DiCorcia
Vogue
May Issue

 

 

PL_1
Philip-Lorca DiCorcia: Heavenly Bodies, Vogue, May 2018

 

 

From theCollectiveShift press release:

 

COLLABORATING WITH VOGUE’S Executive Fashion Editor Phyllis Posnick, Philip-Lorca DiCorcia photographed models in Catholic-inspired pieces in conjunction with the Metropolitan Museum of Art’s new show, Heavenly Bodies: Fashion and the Catholic Imagination.

 

 

PL_3
Philip-Lorca DiCorcia
: Heavenly Bodies, Vogue, May 2018

 

 

PL_5

Philip-Lorca DiCorcia: Heavenly Bodies, Vogue, May 2018

 

 

LTI/Lightside provided 120 film processing and conventional contacts for PL DiCortia’s shoot. See the entire story here (!)

 

 

Tags:

March 28, 2018

Sharif Hamza for the New Yorker

Gun Country
Sharif Hamza
The New Yorker
Portfolio, March 28, 2018 Issue

 

Ten Pages / Nine portraits. Click here to see the full portfolio in The New Yorker

 

 

hamza_1
Sharif Hamza: Gun Country, The New Yorker, March 28, 2018

 

 

 hamza_3Sharif Hamza: Gun Country, The New Yorker, March 28, 2018

 

 

 

hamza_4
Sharif Hamza: Gun Country, The New Yorker, March 28, 2018

 

 

hamza_2

 

 

 

Tags: , ,

March 8, 2018

Richard Mosse for Vogue

American Women: Transformers
Richard Mosse
Vogue.com
March 8

 

 

mosse_lead
Richard Mosse: Vogue.com, American Women: Transformers, March, 2018

 

Launched on International Women’s Day, Vogue.com’s American Women: Transformers invited eleven photographers to chronicle the stories of a wide range of inspiring women. Richard Mosse toured hurricane ravaged Puerto Rico to bring back tales of change and positivity — all with his signature visual style. See the full story here.

 

 

AW3-puerto-rico-richard-mosse-24 copy_750
Richard Mosse: Vogue.com, American Women: Transformers, March, 2018

 

 

AW3-puerto-rico-richard-mosse-12 copy_750
Richard Mosse: Vogue.com, American Women: Transformers, March, 2018

 

 

AW3-puerto-rico-richard-mosse-11_750Richard Mosse: Vogue.com, American Women: Transformers, March, 2018

 

 

Tags: ,

March 1, 2018

Tina Barney for W Magazine

The Domestic Kingdom: and Terror and Beauty
Tina Barney
W Magazine
Volume Two 2018

 

 

Tina_W
Tina Barney: W Magazine: The Domestic Kingdom … Volume Two, 2018

 

 

Tags: , , , ,

February 17, 2018

Talia Chetrit at Kölnischer Kunstverein

Showcaller
Talia Chetrit
Kölnischer Kunstverein, Cologne, Germany
February 17 – March 25

 

TC_KKV_INSTALL_021_v.2
Talia Chetrit: Showcaller, Kölnischer Kunstverein, 2018

 

The exhibition, Showcaller, was conceived especially for the Kölnischer Kunstverein, and is comprised of predominately new and revisited works.

 

LTI-Lightside has been producing exhibition works for Talia Chetrit since 2009. See more of her work here.

 

 

TC_KKV_INSTALL_001_600
Talia Chetrit: Untitled (Body), 2018, Silver Gelatin Print, 10″ × 7″
from Showcaller, Kölnischer Kunstverein, 2018

 

 

TC_KKV_INSTALL_003 600
Talia Chetrit: Nipple/Chain, 2012, Silver Gelatin Print, 20″ × 16″
from Showcaller, Kölnischer Kunstverein, 2018

 

 

TC_KKV_INSTALL_002_600

Talia Chetrit: Fennel, 2015, Silver Gelatin Print, 9″ × 12″
from Showcaller, Kölnischer Kunstverein, 2018

 

 

TC_KKV_INSTALL_017

Talia Chetrit: Showcaller, Kölnischer Kunstverein, 2018

 

 

 

Tags: , , , ,

November 13, 2017

Tina Barney

Tina Barney
Rizzoli International Publications
2017

Hardcover, 236 pages, 142 image plates

 

web_layeout

 

 

Tags: , , , , ,

October 27, 2017

#filmis(not)dead

For those of you who thought film was dead, we’re happy to report that sentiment is clearly an exaggeration. First of all, a quick hashtag search on Instagram shows nearly 6 million users of #filmisnotdead vs a mere 6,816 tags with #filmisdead (!) Heck, that should settle it right there … but hey, don’t just take I/G’s word for it — go ahead and scroll down to see no less than five (5!) editorial stories and current ad campaigns that have run though the lab recently … and we’ve got more, believe us!

 

From the New Yorker to Nordstrom and Sonia Rikel to Nike — Zoe Ghertner, Max Farago, Ben Grieme, David Banjamin Sherry and Stefan Ruiz shot every format from 35mm to 8 x 10 this past season to deliver a stunning array of well …  really cool stuff.

 

 

BG_1

Ben Grieme: Nike AF-1 campaign, Fall 2017, click here

 

 new yorker stories


Top: Stefan Ruiz: William Eggelston, New Yorker, October, 2017
Bottom: David Benjamin Sherry, Laura Owens, New Yorker, October, 2017

MF_finalMax Farago: Nordstrom: Fall 2017 click here

 

 

ZG_2
Zoe Ghertner: Sonia Rykiel, Fall 2017 click here

 

 

Tags: , , , , , , , ,

June 13, 2017

Valerio Spada for GAP

Portrait of American Summer 2017
Valerio Spada
GAP / American Diversity Campaign

 

AdWeek (aka AdFreak) did a short piece on the Gap’s current Summer ’17 campaign shot by Victor Spada. They managed to be both snarky and respectful in the same breath while featuring a ton of images from Victor, all shot on film and processed you know where ….

 

gap_horz_2 header
Valario Spada: GAP Portrait of American Summer 2017

 

Here’s an excerpt:

 

Gap is continuing to celebrate the diversity of the young people it wants to buy its clothes.

 

A new print and video campaign, titled “I Am Gap,” from Untitled Worldwide takes a look at a range of personalities—found via street casting, rather than via a modeling agency—that the clothing retailer hopes captures the spirit of its brand.

 

Stills from the campaign feature faces from different backgrounds striking familiar fashion poses, while being hip and attractive.

 

A short anthem spot, meanwhile, summarizes the core thrust of the marketing effort. “You are the quiet strength in a roaring city,” it says. “You are the free spirit who welcomes the unknown. You are the cattle driver, the BMX rider, the artist in the making. You are worlds apart in life but neighbors in optimistic spirit. You are America. You are Gap.”

 

Because nothing says land of the free and home of the brave like off-the-rack denim, blouses and tees.

 
It’s a basic strategy consistent with the marketer’s fall 2016 campaign, also created with Untitled, which beautifully documented the likes of Brooklyn United, a community marching band for kids, teens and young adults. The tagline for that advertising was “Do You.” “I Am Gap” is channeled as an explicitly inclusive, patriotic concept, if perhaps less powerfully.

 

The fashion industry in general has struggled to represent a diverse cross-section of cultures in advertising, even as it has begun to improve diversity on the runway. Gap is one of a few notable exceptions.
 

 

See a small selection of the print ads below:

 

 

combo_2
Valario Spada: GAP Portrait of American Summer 2017

 

 

 

Tags: , ,