
Susan May Tell: from Appalachia and the Rust Belt, 2012
SMT: Since I no longer have a wet darkroom, I found a lab that simulated the way I used to work, which meant editing from work prints and not contact sheets. At the same time the lab needed to incorporate newer technologies. All the requests were easier said than done, since nowadays digital supersedes analogue. After a bit of research I found LTI Lightside Photographic Services in Manhattan, and they have been nothing short of spectacular.
LTI developed the film; scanned every negative full frame with black border, with no corrections; made a 4-by-6-inch machine print from the scan with the full frame and black border; and made three index prints for each roll, one of which I submit to the Copyright Office as a deposit copy. As I edit and provide negatives, LTI is making gelatin silver prints.
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