{"id":13,"date":"2009-06-05T20:05:00","date_gmt":"2009-06-05T20:05:00","guid":{"rendered":"http:\/\/www.lti-lightside.com\/sebastiaan-bremer-at-james-fuentes-llc\/"},"modified":"2014-03-31T20:01:19","modified_gmt":"2014-03-31T20:01:19","slug":"sebastiaan-bremer-at-james-fuentes-llc","status":"publish","type":"post","link":"https:\/\/projects.lti-lightside.com\/?p=13","title":{"rendered":"Sebastiaan Bremer at James Fuentes, llc."},"content":{"rendered":"<h5><em>Triptych<br \/><\/em>Sebastiaan Bremer<br \/>James Fuentes<br \/>May 5 &#8211; June 28, 2009 <\/p>\n<p>In Fuentes&#8217; words, <em>Triptych<\/em>is &#8220;a masterwork in its scale, technique and inverted syntax&#8221;. Three individual panels measuring 38&#8243; x 78&#8243; each make up <em>Triptych<\/em>, a virtual collision of modern representational methods, old master influences and the artist&#8217;s personal history.<\/p>\n<p>Of particular interest here is an unusual chance for the viewer to scrutinize Bremer&#8217;s ink and paint application technique unobstructed as these large scale panels are presented without framing or glazing. <em>Triptych<\/em> represents over two years of research and production. The base of this piece is a backlit portrait of the artist&#8217;s son in profile. The original negative was scanned and imaged on digital c-print material and mounted on (3) 38&#8243; x 78&#8243; dibond panels. Bremer then interpreted Rembrandt&#8217;s <em>The Angel Appearing to the Shepherds<\/em> in various ink mediums and acrylic paint directly onto the surface of the original prints.<\/h5>\n<p><img alt=\"bremer_triptych\" src=\"http:\/\/ih.constantcontact.com\/fs047\/1101602119379\/img\/50.jpg?a=1102599941423\" border=\"0\" \/><\/p>\n<p><strong>Sebastiaan Bremer:<\/strong> <em>Triptych<\/em>, 200938 11\/16&#8243; x 78 11\/16&#8243; acrylic, ink, digital c-print<\/p>\n<p>&nbsp;<\/p>\n<h5><\/h5>\n<h5>Lightside and <a href=\"http:\/\/rs6.net\/tn.jsp?t=pj8hb7cab.0.0.twxuj5bab.0&amp;ts=S0401&amp;p=http%3A%2F%2Fwww.ltiny.com%2F&amp;id=preview\" target=\"_blank\">LTI<\/a> have been working with Bremer on various projects since 2007. You can see additional images of Sebastiaan in his studio during the production of multiple pieces, including <em>Triptych<\/em>, by clicking on the image below.Bremer recently completed a commission for the Los Angeles County Museum of Art. Solo exhibitions have been held at Barbara Thumm, Berlin; Hales Gallery, London; Air de Paris, Paris and Gemeentemuseum, The Hague. His work is held in the collections of the Museum of Modern Art, Victoria &amp; Albert Museum, The Zabludowicz Trust and The Rabobank Collection, among others.<\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/rs6.net\/tn.jsp?t=pj8hb7cab.0.0.twxuj5bab.0&amp;ts=S0401&amp;p=http%3A%2F%2Fwww.lightsideps.com%2Fexhibitions.html&amp;id=preview\" target=\"_blank\"><img alt=\"bremer in studio\" src=\"http:\/\/ih.constantcontact.com\/fs047\/1101602119379\/img\/52.jpg?a=1102599941423\" border=\"0\" \/><\/a><\/p>\n<p>Sebastiaan Bremer working in his studio, 2008<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TriptychSebastiaan BremerJames FuentesMay 5 &#8211; June 28, 2009 In Fuentes&#8217; words, Triptychis &#8220;a masterwork in its scale, technique and inverted syntax&#8221;. Three individual panels measuring 38&#8243; x 78&#8243; each make up Triptych, a virtual collision of modern representational methods, old &hellip; <a href=\"https:\/\/projects.lti-lightside.com\/?p=13\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[168,170,8,171,169,7],"_links":{"self":[{"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/posts\/13"}],"collection":[{"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13"}],"version-history":[{"count":0,"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/posts\/13\/revisions"}],"wp:attachment":[{"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}