{"id":1241,"date":"2015-10-29T19:57:07","date_gmt":"2015-10-29T19:57:07","guid":{"rendered":"http:\/\/www.lti-lightside.com\/?p=1241"},"modified":"2015-10-30T18:51:09","modified_gmt":"2015-10-30T18:51:09","slug":"brea-souders-at-bruce-silverstein","status":"publish","type":"post","link":"https:\/\/projects.lti-lightside.com\/?p=1241","title":{"rendered":"Brea Souders at Bruce Silverstein"},"content":{"rendered":"<h5><em>Hole in the Curtain<\/em><br \/>Brea Souders<br \/>Bruce Silverstein Gallery<br \/>October 29 &#8211; December 23<\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Breaking_Ground_Souders.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-1242\" src=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Breaking_Ground_Souders.jpg\" alt=\"Breaking_Ground_Souders\" width=\"750\" height=\"600\" srcset=\"https:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Breaking_Ground_Souders.jpg 750w, https:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Breaking_Ground_Souders-300x240.jpg 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/a><br \/><strong>Brea Souders:<\/strong> <em>Breaking Ground<\/em>, 2015<br \/>16&#8243; x 20&#8243; archival inkjet print<\/p>\n<p>&nbsp;<\/p>\n<h5>From the Bruce Silverstein Gallery press release:<\/h5>\n<p>&nbsp;<\/p>\n<h5><\/h5>\n<h5><em>Hole in the Curtain<\/em>, [is]<em> the gallery\u2019s second solo show of new works by Brea Souders. The exhibition is comprised of portraits and abstract compositions that further Souders\u2019 interest in fragmented narratives, the inchoate versus the fully formed, and the uncontrollable nature of time.<\/em><\/h5>\n<h5><\/h5>\n<h5><em>Souders creates her latest works with bleach, photographic chemistry and watercolors using unexposed film emulsion as a substrate. Souders writes, \u201cI approach the emulsion as a vulnerable skin, subject to constant transformation. I was drawn to work with it because of this changeable quality.\u201d\u00a0 The bleach and chemistry rapidly degrade the film, and are thus a purposeful incubator of chance occurrences&#8211;fissures in emulsion, selective lightening, bored holes, color shifts, and breached borders.<\/em><\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Jane_Souders.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-1243\" src=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Jane_Souders.jpg\" alt=\"Jane_Souders\" width=\"600\" height=\"750\" srcset=\"https:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Jane_Souders.jpg 600w, https:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Jane_Souders-240x300.jpg 240w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><br \/><\/a><strong>Brea Souders:<\/strong> <em>Jane<\/em>, 2015<br \/>30.4&#8243; x 38&#8243; archival inkjet print<\/p>\n<p>&nbsp;<\/p>\n<h5><em>While in process, Souders\u2019 works exist in a state of timed decline that serves as a metaphor for the nature of both our physical bodies and our memories of people and events. At a moment when artists are grappling with our surrender to a digital world, Souders turns her attention to a fundamental aspect of the human experience: how we connect as individuals. Souders\u2019 portraits demonstrate a humorously expressive quality, yet, as with her earlier work, a certain weight is felt in the dark spaces, the various rents in the emulsion that open up to what looks like a wide starry sky.<\/em><\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Max_Souders.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-1244\" src=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Max_Souders.jpg\" alt=\"Max_Souders\" width=\"600\" height=\"750\" srcset=\"https:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Max_Souders.jpg 600w, https:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/Max_Souders-240x300.jpg 240w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><br \/><\/a><strong>Brea Souders:<\/strong> <em>Max<\/em>, 2015<br \/>24 x 30 archival inkjet print<\/p>\n<p>&nbsp;<\/p>\n<h5>Our relationship with Brea Souders goes back her being awarded the 2011 WIP-LTI\/Lightside Kodak Materials Grant.\u00a0 <em>Hole in the Curtain, <\/em>however<em>, <\/em>is our first time working with her on a specific project. That we had only seven working days to complete sixteen of the pieces on exhibit at the Bruce Silverstein Gallery is a reflection of just how tight Souders&#8217; craft and intent is. The process of producing her final prints was specific, efficient and distinctly satisfying for us &#8212; we are quite pleased to have been given the opportunity to be a part of this exhibition.<\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/souders_night_web.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-1254\" src=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/souders_night_web.jpg\" alt=\"souders_night_web\" width=\"750\" height=\"206\" srcset=\"https:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/souders_night_web.jpg 750w, https:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/10\/souders_night_web-300x82.jpg 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/a><br \/><strong>Brea Souders:<\/strong> <em>Hole in the Curtain<\/em><br \/>Bruce Silverstein Gallery<\/p>\n<p>&nbsp;<\/p>\n<h5>You can see more of Souders work on her own website <a href=\"http:\/\/www.breasouders.com\/\" target=\"_blank\">here<\/a> and on the Bruce Silverstein Gallery <a href=\"http:\/\/www.brucesilverstein.com\/\" target=\"_blank\">here<\/a>.<\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hole in the CurtainBrea SoudersBruce Silverstein GalleryOctober 29 &#8211; December 23 &nbsp; &nbsp; Brea Souders: Breaking Ground, 201516&#8243; x 20&#8243; archival inkjet print &nbsp; From the Bruce Silverstein Gallery press release: &nbsp; Hole in the Curtain, [is] the gallery\u2019s second &hellip; <a href=\"https:\/\/projects.lti-lightside.com\/?p=1241\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[177,110,215,170],"_links":{"self":[{"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/posts\/1241"}],"collection":[{"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1241"}],"version-history":[{"count":0,"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/posts\/1241\/revisions"}],"wp:attachment":[{"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}