{"id":1187,"date":"2015-05-07T19:32:36","date_gmt":"2015-05-07T19:32:36","guid":{"rendered":"http:\/\/www.lti-lightside.com\/?p=1187"},"modified":"2015-10-30T18:55:51","modified_gmt":"2015-10-30T18:55:51","slug":"tina-barney-at-paul-kasmin-gallery","status":"publish","type":"post","link":"http:\/\/projects.lti-lightside.com\/?p=1187","title":{"rendered":"Tina Barney at Paul Kasmin Gallery"},"content":{"rendered":"<h5><em>Four Decades<\/em><br \/>Tina Barney<br \/>Paul Kasmin Gallery<br \/>May 7 &#8211; June 20<\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/05\/IMG_5270-700.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-1194\" src=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/05\/IMG_5270-700.jpg\" alt=\"IMG_5270 700\" width=\"700\" height=\"525\" srcset=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/05\/IMG_5270-700.jpg 700w, http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/05\/IMG_5270-700-300x225.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/a><\/p>\n<p>Tina Barney\u00a0<em>Four Decades<\/em>,\u00a0 Paul Kasmin Gallery, 2015<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h5>From the Paul Kasmin Gallery press release:<\/h5>\n<p>&nbsp;<\/p>\n<h5><\/h5>\n<h5><em>Since the early 1980s, Tina Barney\u2019s large-scale photographs have laid bare candid moments in the elusive lives of those in the upper classes of American and European society. \u00a0Through Barney\u2019s humanist lens, she consistently demonstrates that life in a rarified world is idiosyncratic and spontaneous in its own way. The works presented in Four Decades offer a succinct overview of Barney\u2019s oeuvre, featuring notable early works such as Mark, Amy and Tara, 1983, and The Reception, 1985. Later photographs from the acclaimed series \u201cThe Europeans\u201d and \u201cPlayers\u201d continue to articulate a narrative about the lives of the wealthy as Barney depicts familiar scenes against lushly saturated, opulent backdrops allowing the viewer to share in intimate moments. Four Decades also highlights one of Barney\u2019s editorial masterpieces, The Limo, 2006, as well as works from her series \u201cSmall Towns,\u201d focusing on the nuances of regional American life.<\/em><\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/05\/IMG_1355-700.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-1189\" src=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/05\/IMG_1355-700.jpg\" alt=\"IMG_1355 700\" width=\"700\" height=\"183\" srcset=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/05\/IMG_1355-700.jpg 700w, http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/05\/IMG_1355-700-300x78.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/a><br \/><strong>Tina Barney:<\/strong> <em>Four Decades<\/em> opening at Paul Kasmin Gallery, 2015<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h5>This is Tina&#8217;s first\u00a0exhibition with Paul Kasmin and our\u00a0second with her. <em>Four Decades<\/em> allowed us to print a few pieces from her archive that we had not seen before as well as more recent work that we&#8217;ve been involved with since we started working together in 2010.<\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-1190\" src=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/05\/IMG_8737_700.jpg\" alt=\"IMG_8737_700\" width=\"700\" height=\"450\" srcset=\"http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/05\/IMG_8737_700.jpg 700w, http:\/\/projects.lti-lightside.com\/wp-content\/uploads\/2015\/05\/IMG_8737_700-300x192.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><br \/>Production on Tina Barney <em>Four Decades<\/em> at LTI-Lightside, 2015<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h5>Tina Barney&#8217;s\u00a0legacy is well documented, of course &#8230; but here&#8217;s a brief bit anyway &#8212; again, from the Paul Kasmin Gallery press release:<\/h5>\n<h5><\/h5>\n<p>&nbsp;<\/p>\n<h5><\/h5>\n<h5><em>Born in New York City in 1945, Barney turned her concentration to photographing in color with a large format view camera in 1982 \u2013 an analogue process she steadfastly continues today. The artist was included in the 1987 Whitney Biennial, and significant solo exhibitions have since been held at the Museum of Modern Art, NY, in 1990; Das Museum Folkwang in Essen, Germany, in 1999; The Barbican Art Gallery, London, in 2005; the Museum der Moderne, Salzburg, Austria, in 2006; and the First Center for the Visual Arts, Nashville, TN, in 2015. Barney\u2019s works are in the permanent collections of the Museum of Modern Art, New York, NY; the Whitney Museum of American Art, New York, NY; the Los Angeles County Museum of Art, CA; and the Museum of Fine Arts, Boston, MA, among many others. She currently lives and works in New York City and Westerly, Rhode Island.\u00a0<\/em><\/h5>\n<p>&nbsp;<\/p>\n<h5>You can see more works from <em>Four Decades<\/em>\u00a0<a href=\"http:\/\/paulkasmingallery.com\/exhibition\/tina-barney--four-decades\">here<\/a>.<\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Four DecadesTina BarneyPaul Kasmin GalleryMay 7 &#8211; June 20 &nbsp; &nbsp; Tina Barney\u00a0Four Decades,\u00a0 Paul Kasmin Gallery, 2015 &nbsp; &nbsp; From the Paul Kasmin Gallery press release: &nbsp; Since the early 1980s, Tina Barney\u2019s large-scale photographs have laid bare candid &hellip; <a href=\"http:\/\/projects.lti-lightside.com\/?p=1187\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[89,170,206,142],"_links":{"self":[{"href":"http:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/posts\/1187"}],"collection":[{"href":"http:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1187"}],"version-history":[{"count":0,"href":"http:\/\/projects.lti-lightside.com\/index.php?rest_route=\/wp\/v2\/posts\/1187\/revisions"}],"wp:attachment":[{"href":"http:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1187"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/projects.lti-lightside.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}